March 22, 2024
Intermediate to pre-professional dancers ages 12–60 are invited to join us for a two-day workshop in Birmingham, AL. Work directly with past LINES Ballet company members. This experience includes classes in ballet, contemporary, LINES repertory investigation, and explorative improvisation.
March 22, 2024
Intermediate to pre-professional dancers ages 12–60 are invited to join us for a two-day workshop in Birmingham, AL. Work directly with past LINES Ballet company members. This experience includes classes in ballet, contemporary, LINES repertory investigation, and explorative improvisation.
July 19, 2024 at 7:30 PM
Come out and support LINES Ballet company dancers Adji Cissoko and Shuaib Elhassan as they perform as guest artists at the Nashville Dance Festival. The festival will also feature performances by Nashville Ballet Company Artists, members of NB2, Nashville Ballet’s official second company, and guests from Collage Dance Collective.
July 21, 2024 at 2:00 PM
Enrich your dancing bodies through meditation, mindful technique, and invigorating choreographic sequences.
August 11, 2024 at 8:00 PM
LINES Ballet’s Summer Program attracts talented dancers from across the nation and abroad who seek physical rigor and artistic expansion. Join us for the program’s culminating celebration, where our students will perform new works by Carmen Rozestraten, Natalya Shoaf and Dazaun Soleyn, Keelan Whitmore, and Natasha Adorlee.
August 11, 2024 at 8:00 PM
LINES Ballet’s Summer Program attracts talented dancers from across the nation and abroad who seek physical rigor and artistic expansion. Join us for the program’s culminating celebration, where our students will perform new works by Carmen Rozestraten, Natalya Shoaf and Dazaun Soleyn, Keelan Whitmore, and Natasha Adorlee.
August 13, 2024
Come see company dancers Adji Cissoko and Shuaib Elhassan perform as guest artists in “UNITE”—a one-week celebration of ballet at The Joyce Theater. Together, they will perform a pas de deux choreographed by Alonzo King.
September 26, 2024 at 7:30 PM
This season, LINES Ballet presents a world premiere to the music of legendary spiritual leader, composer, pianist, and harpist Alice Coltrane. Her transcendental music has inspired Alonzo King since his childhood. Also on the program is King’s latest work for the San Francisco Symphony set to Maurice Ravel’s enchanting “Mother Goose” suite. “San Francisco Classical Voice” called it “a marvelous visual feast.”
September 27, 2024 at 7:30 PM
This season, LINES Ballet presents a world premiere to the music of legendary spiritual leader, composer, pianist, and harpist Alice Coltrane. Her transcendental music has inspired Alonzo King since his childhood. Also on the program is King’s latest work for the San Francisco Symphony set to Maurice Ravel’s enchanting “Mother Goose” suite. “San Francisco Classical Voice” called it “a marvelous visual feast.”
September 28, 2024 at 7:30 PM
This season, LINES Ballet presents a world premiere to the music of legendary spiritual leader, composer, pianist, and harpist Alice Coltrane. Her transcendental music has inspired Alonzo King since his childhood. Also on the program is King’s latest work for the San Francisco Symphony set to Maurice Ravel’s enchanting “Mother Goose” suite. “San Francisco Classical Voice” called it “a marvelous visual feast.”
September 29, 2024 at 2:30 PM
Guided by our LINES Ballet’s Teaching Artists, families with children ages 4–12 will connect with choreographer Alonzo King’s work and philosophy while moving, grooving, and collaborating to create dances all their own. Families will also get a sneak peek of the company dancers in rehearsal on stage.
September 29, 2024 at 5:00 PM
This season, LINES Ballet presents a world premiere to the music of legendary spiritual leader, composer, pianist, and harpist Alice Coltrane. Her transcendental music has inspired Alonzo King since his childhood. Also on the program is King’s latest work for the San Francisco Symphony set to Maurice Ravel’s enchanting “Mother Goose” suite. “San Francisco Classical Voice” called it “a marvelous visual feast.”
