Since 1982, Alonzo King LINES Ballet has collaborated with noted composers, musicians and visual artists from around the word to create performances that alter the way we look at ballet today. Its unique artistic vision adheres to the classical form — the linear, mathematical and geometrical principles that are deeply rooted in the pre-existing East-West continuum.
Thirty-five years of outstanding, multi-disciplinary collaborations for the stage place Alonzo King LINES Ballet at the forefront of artistic innovation in ballet. With each collaboration, LINES Ballet investigates deeply rooted affinities between Western and Eastern classical forms, elemental materials, the natural world, and the human spirit. At LINES Ballet, the artistic investigation is infinite and essential for it leads to what unites us as human beings: empathy, joy, and the ability to transcend.
LINES Ballet’s spring and fall home seasons and global tours share this vision of transformative, revelatory dance with 40,000+ audience members worldwide every year. The Company has been featured at venues such as the Venice Biennale, Monaco Dance Forum, Maison de la Dance de Lyon, the Edinburgh International Festival, Montpellier Danse, the Wolfsburg Festival, the Holland Dance Festival, and most recently the Théâtre National de Chaillot in Paris.
“The term LINES alludes to all that is visible in the phenomenal world. There is nothing that is made or formed without a line. Straight and Circle encompass all that we see. Whatever can be seen is formed by a line. In mathematics it is a straight or curved continuous extent of length without breadth. Lines are in our fingerprints, the shapes of our bodies, constellations, geometry. It implies genealogical connection, progeny and spoken word. It marks the starting point and a finish. It addresses direction, communication, and design. A line of thought. A boundary or eternity. A melodic line. The equator. From vibration or dot to dot it is the visible organization of what we see.”
— Alonzo King